Fonds consists of personal and professional papers of Saskatchewan artist David Thauberger, (1954-1989). Included are: ceramic sculptures, paintings, and prints created by Thauberger; awards and degrees; financial records; business and personal correspondence; a series of files documenting Thauberger's dealings with numerous Canadian art galleries; and photographs, slides and publications relating to Thauberger and his work. The fonds also contains the artist's extensive collection of articles, books, catalogues, invitations, correspondence, newspaper clippings, notes and writings, art works, photographs, slides, and sound recordings relating to Saskatchewan folk art. The collection includes recorded interviews, art works, and slides and photos depicting artworks by numerous artists, among them Ed Fletcher, Ann Harbuz, Molly Lenhardt, W.C. McCargar, Sam Spencer, Fred Neibrandt, Fred Moulding, and many others. Within the slides, some Quebec and Nova Scotia coverage is also present.

Fonds consists of personal and professional papers of Manitoba artist, Tony Tascona. Included are catalogues, commission and project files, exhibition files, catalogues, invitations, and publicity material, news clippings, reference material and periodical articles, and audiovisual material relating to Tascona and his art. Of particular note is the series of business correspondence (1960-1994), the photos and slides of Tascona's work and events during his career, and a substantial collection of original art cards created by numerous contemporary artists (1952-1993), along with catalogues of other artists. The fonds also contain a small selection of Tascona's original art creations including drawings, a self-portrait, prints, T-shirts, and wedding invitations. Records relating to the Royal Canadian Academy of Arts during Tascona's tenure as prairie region vice-president (1979-1981), to the Winnipeg Art Gallery when he served on its Board (1975-1976), and to his involvement with the Canadian Conference of the Arts (1990-1993) are also present. The professional records are supplemented with small quantities of personal and family financial records, legal documents, correspondence and photographs. The fonds also includes a photograph of Tascona's grade one class with teacher, Gabrielle Roy.

Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

Fonds consists of personal, professional, and business records generated by Winnipeg printmaker and screen shop operator Bill Lobchuk. The records are arranged in ten series: Appointment Books (1979-1988); Correspondence (ca. 1973-1989); Financial Records; Personal (1972-1984); General Files (1955-1980s); Grand Western Canadian Screen Shop (1968-1984); Newspaper Clippings (1971-1988); Photographs and Negatives (1966-1980s); Professional Organizations (1974-1987); Publications (1972-1989); and Slides (1970-80). Of particular interest are Lobchuk's extensive personal and professional correspondence with artists, art galleries and arts organizations, and business records of the Grand Western Canadian Screen Shop which include correspondence, financial records and other documents relating to the establishment and operation of the shop. Also noteworthy are publications, articles, exhibition catalogues, invitations, posters, publicity materials, photographs, transparencies, and slides relating to Lobchuk's own work, and to products of the Screen Shop, as well as files documenting his involvement with various professional organizations.

Fonds consists of professional records generated by Manitoba painter Arthur Horsfall, 1940-1995. The bulk of the collection consists of original drawings, sketches and sketchbooks, designs, and watercolors, as well as slides and photographs of his art works. Also included are correspondence, catalogues, and other records relating to the sale and exhibition of his work, along with correspondence with art galleries, art schools, arts organizations, professional associations, and employers. Publications featuring Arthur Horsfall and other artists are also present.

Fonds consists of printed material relating to the artistic career of David Gilhooly, 1969-1995. The records are arranged in four series: Biographical Information; Newspaper Clippings, Gilhooly and Art, Exhibitions; Catalogues, Exhibition Invitations featuring David Gilhooly; and Publications featuring David Gilhooly.

Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.