This fonds documents the activities of the Victoria Limners Society from 1972-2008 and includes correspondence, meeting minutes, financial records and society filings. It also contains records related to various group exhibits, including the Limners’ 25th anniversary exhibition in 1996, as well as records related to a book and video produced about the group. A small number of newspaper clippings, exhibition pamphlets, various editions of a booklet on the Limners Society artists and black and white photographs showing Limner members at exhibitions and meetings can be found in this fonds. This fonds has been arranged into into six series: 1) letters; 2) minutes; 3) financial records; 4) society filings; 5) 25th anniversary exhibition; and 6) publications and graphic materials.

Fonds consists of textual records (correspondence, party lists and invitations to social events, fan mail, articles written by and about Pierre Berton, and newspaper clippings), photographs from 1886-2002, clothing and various other artifacts, awards and certificates, and publicity posters.

The fonds consists of records documenting the Society’s planning and presentation of its annual concert series and of its workshops, the latter presented from 1985 to 1994. It has been arranged into three series: Administration; Concerts, Events and Artistic files; and Fundraising and
Development.

The fonds consists of the records of David H. Flaherty created throughout his professional and private life. They include project research files relating to his work with Canadian and international privacy issues during his time at the University of Western Ontario from 1972 to 1987; teaching and lecture files on early American history, and American and Canadian legal and constitutional history from his time at Princeton, the University of Virginia and the University of Western Ontario from 1963 to 1991; and his personal files including diaries, correspondence, photographs and subject files from 1949 to 2005, including those from his time as the Information and Privacy Commissioner of British Columbia. Within each series, the files are arranged roughly by date. The personal files have been divided by Flaherty into open and restricted files.

Fonds consists of the records from Centennial United Church and its predecessors, Gorge Road Methodist Church, Centennial Methodist Church, and Burnside Methodist Church. Records include Baptism registers (1898-1974), Marriage registers (1898-1985), and Burial registers (1905-1976); Membership records (1890-1989); Session minutes (1926-1969), Stewards minutes (1920-1969), Official Board minutes (1888-2002), Congregation meeting minutes (1933-2002); Trustees minutes (1885-1918); Woman's Association records (1948-1962); Woman's Missionary Society records (1891-1961); United Church Women records (1962-1999); Epworth League and Young People's Society/Union minutes (1914-1961); Annual reports (1951-2000); Property records (1894-1959); and Historical files (1962).

The fonds consists primarily of photographic prints, negatives and contact sheets of historic buildings and properties - preparatory material for Franklin’s co-authored publications on Victoria’s architecture. The fonds is arranged in four series: photographs - Victoria: A History in Architecture, 1843-1929; photographs - Exploring Victoria’s Architecture; architectural drawing - East School elevation (Lord Strathcona School), Vancouver, BC, 1897; and publications and printed matter.

Series consists of three sub-series: A. Biography files, [before 2000]; B. Subject files, [ca.1880-ca.2000]; C. Print material, 1854-2000. Biography files pertain to Bishop Edward Cridge and family and Church of Our Lord ministers and members. Print material sub-series includes five Bibles of past church members: the Cridge Family Bible, published 1854; the Frances Silver Bible, published 1868; the Laundy Family Bible, published 1890; the Olive Buckingham Bible, published 1933; and, the Rev. E. A. (Ted) Follows Bible, published 1993. All Bibles are inscribed and some are annotated.

Fonds pertains to the Reformed Episcopal Church in Canada, the United States and England (known as the Free Church of England). The fonds consists of four series:

I. General Synod of the Reformed Episcopal Church of Canada (annual reports, correspondence, constitutions and canons, legal cases and general information, ca.70 cm;

II. Diocese of Western Canada (annual reports, records of individual churchs), ca.150 cm;

III. Free Church of England (yearbooks 1928-1993, and publications), ca.25 cm;

IV. Reformed Episcopal Church USA (newsletters, pamphlets, constitution and canons, general information), ca.25 cm.
The largest portion of the fonds consists of the records of St. Paul's Reformed Episcopal Church, New Westminster, which was from 1883 to 2002. The St. Paul's REC sub-series includes marriage, baptism and burial registers, Vestry records, records of womens groups, scrapbooks and other material.

The fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations.

The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice.

Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods.

The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.