The fonds consists of portraits of the McCleery family and photographs of the McCleery farm on the North Arm of the Fraser River.

The fonds consists of diaries, photographs, articles, speeches and reports, and miscellaneous material, all of which document Frank F. Wesbrook’s personal and professional activities.

The fonds consists of correspondence, photographs, clippings, artifacts, publications, legal documents, notes, transcripts of lectures and broadcasts, examinations, certificates and other miscellaneous items. Most of the material was created and collected by Sedgewick himself, and the rest was collected by friends including Robert Roberts after Sedgewick's death.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds consists of biographical information about Watney, copies of her B.A. (1923), M.A. (1926) and Ph.D. (1933) theses, teaching material, correspondence, copies of publications and photographs.

The fonds consists of family photographs of the Hayashi family, including scenes of Japanese-Canadian life in Vancouver, in New Denver, B.C., and in Schreiber, Ontario.

Fonds consists of personal correspondence, newspaper clippings and manuscripts; as well as, memorial tributes, cards and letters of sympathy pertaining to the passing of Sonthoff. The fonds is arranged in the following series: Correspondence, Essays and Criticisms and Memorial Tributes.

The fonds consists of correspondence, programmes, photographs, scrapbooks, and translations into English from Russian for various ballerinas.

The fonds consists of records created and accumulated by Delgado since 1964. The fonds contains correspondence, personal records, photographs, slides, negatives, video recordings, audio recordings of interviews with Delgado, and files focusing on: projects (shipwreck and historic sites), expeditions, lectures and education, and writing. The fonds also focuses on Delgado’s work with the National Park Service in the US, his work with the Vancouver Maritime Museum and with the Institute for Nautical Archaeology. Records also focus on Delgado’s work on The Sea Hunters television program.

The fonds is divided into eleven series: Correspondence series (Personal correspondence sub-series, Outgoing correspondence sub-series, Incoming correspondence sub-series), Personal records series, Projects series (Miscellaneous projects sub-series, Maritime archaeology sub-series, S.S. Central America sub-series), Expeditions series, Sea Hunters series (Episode files sub-series, Photographs sub-series, Slides sub-series, Video recordings sub-series), Writing series (Books and publications sub-series, Reports sub-series, Correspondence sub-series, Article drafts sub-series, Published articles sub-series, Publicity and reviews sub-series), Newspaper clippings series, Lectures and education series, Audio recordings series, Images series (Photographs sub-series, Titanic images sub-series, Slides sub-series), and Video recordings series.

The fonds consists of records documenting Juda Quastelʹs activities as a scientist from 1917 to 1987. Series include biographical information; correspondence; presentations and lectures; scientific research, notes, and data; written reports, published and unpublished materials; photographs, slides, glass plates, and audiovisual material. Collectively, these records reflect Quastelʹs various scientific roles as researcher, professor, author, and public speaker. Some records (i.e. particular correspondence and photographs) also reveal Quastelʹs personal life as husband and father.