The collection consists of theatrical photograph postcards; European postcards (mainly French and British); Canadian and American postcards; and British humorous postcards. Also included are Canadian and American photo booklets plus some Canadian photos and some that are unidentified.

The collection consists of one red ink drawing of Henry Miller "drawn from life, in London," 36 x 23 cm signed and dated 1969, and a charcoal sketch by Vernon Watkins 34 x 25 cm, signed with no date.

The collection consists of a typewritten letter to Alan Brilliant (Unicorn Press), together with its envelope. In the letter, he mentions Dudek, Gnarowski, Siebrasse, and Gabrielle Roy. Also included is a copy of a mailer for Everson's book “The dark is not so dark”, with Everson's handwritten instructions inside.

The collection consists of a Xerox copy of the original typescript for projected publication, with a letter dated October 10th, 1969, (1 p. part holograph, signed) from the author to Alan Brilliant (Unicorn Press) about the possibility of publication of "The Man with seven toes" in the U.S. There is a carbon copy of Alan Brilliant's reply.

The collection consists of a letter to an unknown correspondent in Canada. In the letter, he mentions his wartime training in Canada. He also sends him his second book of poems and requests a brief review.

The collection consists of a printed invitation to Auden's birthday party in 1961 plus carbon and Xerox copies of typed letters and holographic notes from Pulitzer Prize administration to Auden listing books sent to him as a member of the Poetry Jury.

The collection consists of heavily corrected galley proofs for the poems "The Wall", "The Sleeping Lord" (extract), and "The Boast of Dai" (extract), plus an accompanying hls from Jones to Annwyl [Dear] Meic Stephens.

The collection consists of letters written by Forster to Randall. They concern, firstly, his trip to Rumania, where he stayed with the Randalls; a tour in France in 1928; and his journey home. Later letters include references to such literary people as Herbert Read, Harold Monro and T.S. Eliot, plus a mention of reading James Joyce's "Ulysses". He also refers to his visit to Africa and his sentiments about the Spanish Civil War and W.W.II. Most of the later letters are signed "Morgan".

The collection consists firstly of letters written to Mullers Ltd. (publishers) concerning the possible publication of several books, and secondly, of an "uncorrected proof", with holograph corrections of "Meetings With Poets" (1968).

The collection consists of autographs of classical musicians and performers, written on programmes and slips of paper, plus an autographed photograph of Marilyn Horne; and correspondence between McKenzie and Yehudi Menuhin, Reginald Werrinwrath, and the Vancouver Festival Society, 1950-1959.