Fonds consists of material collected by R.P. Pride. Includes correspondence between R.P. Pride and A. Nowlan, some not present in the Alden Nowlan fonds (MsC 40); photographs; manuscripts and photocopies of published poetry, short stories, articles and columns written by A. Nowlan; and works on A. Nowlan. MsC 359 consists of letters from Grace Reese, Alden Nowlan's mother, to her niece, Rachel Paulson Pride (Rachel Sherman as of 2010).

Fonds consists of correspondence with actors, authors, directors, editors, educators, government officials, lawyers, producers, publishers and others in the literary, publishing and theatrical fields. Files arranged alphabetically by personal or corporate name with exception of subject-related file Script Distribution which contains R.L. Paris's notes regarding Captives of the faceless drummer. Legal documents, contracts, royalty statements, photographs, publicity material and reviews are included in correspondence files. The Ryga-Paris correspondence provides information about G. Ryga not found in the George Ryga fonds.

Fonds consists of correspondence; newsclippings of articles and reviews; programs of concerts featuring works by R.W. Henderson; and manuscript scores of choral and instrumental music.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of Sharon Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of: correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills, programmes and reviews; works about S. Pollock including biographical material, interviews and newsclippings; and 3 videocassettes of various play productions.

Fonds consist of correspondence; manuscripts of poetry, short stories, stage plays, articles, columns, young adult fiction and adult non-fiction; audio tapes of interviews; photographs; material relating to readings, workshops, adjudication and other professional activities.

Fonds consists of framed page of music score, concert and conference programmes, newsclippings and sound recordings.

Fonds consists of transcripts of interviews ([196-], 1966 June-1967 August) with Evelyn Sparrow Plunkett (b. 1886), Mona Sparrow (b. 1895) and Francis Devereau (Frank) Sparrow (b. 1891); excerpts from two letters (1966 December 12 - 1967 January 15), written by Bernard Roy (Buck) Sparrow (1892-1967), describing A.C. Sparrow's ranches; brief notes on A.C. Sparrow by his grandson Lawrence Sparrow; and interview with Zita Burns Coughlin, relating to the Sparrow family. Interviews describe day to day life in Calgary from the 1880s to about 1920, including social customs and events; education at Sacred Heart Convent; friendships with other early pioneers, such as the Burns family; medical care; entertainment; and trips to Cochrane, Banff and Fort Macleod. Includes name index.

Fonds consists of correspondence, art work, and layout and design for Rocky mountain wildlife (Hancock House, 1976). Also includes some correspondence relating to a bird book series published by Hancock House in the 1970s; and scrapbook containing illustrations of several paintings by the artist and reviews and other material relating to books for which S. Im Baumgarten provided the art and design work.

Fonds consists of material relating to Particular Arguments: a special issue on Bronwen Wallace, Open Letter, Seventh Series, No. 9, Winter 1991, guest edited by S. Rudy and Eric Savoy; material relating to "Les Femmes et Les Textes / Women and Texts: Langages, Technologies, Communautés, Languages, Technologies, Communities", an international conference co-organized by Susan Rudy at The University of Leeds, Leeds, England, July 2-5, 1997; and material relating to English Studies in Canada, Special Issue: Women and Texts: Part Two, v. 28, no. 2, June 2002, co-edited by S. Rudy and Mary Jane Edwards.

Fonds consists of letters from Red Lane to George and Angela Bowering; poetry and short story manuscripts by R. Lane, G. Bowering, Lionel Kearns, David Dawson, Dave Cull and others; and miscellaneous material.