Fonds consists of Photographs of 43rd Wing Aircraft training during World War I at Camp Kelly in Texas.

Fonds consists of letters and petitions concerning the annexation of the Colony of Cape Breton to Nova Scotia.

Fonds consist of records of the personal, professional, political and judicial life of D.D. MacKenzie.

Fonds consists of correspondence and papers related to the Fortress of Louisbourg site and to the authenticity of a painting of Louis IX, King of France; The Dream city of America (booklet); The Crescent and the Cross (essay); Unwelcome Guests of Cape Breton (the story of the convicts abandoned at Main-a-Dieu); a narrative of Baroness de St. Castine; clippings of articles by and about Almon, and pictures drawn by Almon.

Fonds consists of four series: Ella Muriel Liscombe (1913-1938), Olive Margaret Liscombe (1910-1956), Francis Gerald Liscombe (1914-1916) and Susan Kate (Howie) Liscombe (1916-1944). It includes the diaries and records of Ella Muriel Liscombe, the diary and correspondence of Olive Margaret Liscombe, the diaries and correspondence of Gerald Liscombe, and Susan (Howie) Liscombe's correspondence.

Fonds consists of personal correspondence covering subjects such as remembrances of World War II, social life in Cape Breton in the 1940's, and various Christmas cards and postcards.

Fonds consists of correspondence, legal documents, diaries, and clippings. It includes Anthony's MacMillan's wartime correspondence with his cousin, Cecilia MacMillan, in addition to other wartime correspondence.

Fonds consists of the personal papers of Alexander Anderson and his descendants, including a collection of legal documents, land holdings, deeds, and papers of Capt. A/Major Percival William Anderson.

Fonds consists of textual records and photographs related to Rev. John Pringle, including Christmas cards, wartime photographs, correspondence, and newspaper clippings.

Fonds consists of Guelph Little Theatre programme guides, photographs of theatre facilities, notes on the theatre's history, constitution and by-law records, president's reports, and reviews created and or accumulated by Leanna Neal during the course of her research activities into the theatre's history. Also included is an audio cassette and transcribed interview with Keith Slater.

Fonds is arranged by subject.