Fonds consists of a script for an address given by Mabel K. Day at the opening of an exhibition; an outline for an unidentified six week art course; a certificate awarded to Mabel Killam Day by the Associated Artists of Pittsburgh; photographs, containing Mabel Day or Frank P. Day; cuts of Frank Parker Day portrait and of a scene, “The White Village, N.S.”, probably a painting by Mabel K. Day; and cards designed by Mabel K. Day.

The fonds consists of textual material, slides, and photographs documenting various aspects of Michael J. Sidnell's academic career, including the material accumulated for his book "Dances of Death," and materials relating to his interest in theatre productions. The fonds consists of six series: materials relating to the Group Theatre and the book "Dances of Death"; general correspondence; material relating to the honorary doctorate bestowed upon Alex Colville by Trent University; theatre productions in which Michael J. Sidnell was involved as director, actor, or other; publications and offprints of publications by Michael J. Sidnell, including his M.A and Ph.D. theses.

The fonds consists of a photograph of a Rummely threshing machine owned by four families in the Neepawa area during the 1930s. The fonds also contains a clipping featuring a poem written by Frank Dudenhoffer in 1948 that was printed for the Centennial of Neepawa in 1983.

Fonds consists of photographs and textual records created and or accumulated by Laura McLelland documenting her interests in local history. Included are photographs of graduates from the Guelph General Hospital School of Nursing participating in graduation ceremonies and social events. Other photographs are of a parade in downtown Guelph, a train wreck in Galt, Ontario, and employees of Colonial Dresses Limited. The bulk of the textual records consist of newspaper clippings relating to graduates of the Guelph General Hospital School of Nursing. Included is a program for graduating exercises and brief notes related to the history of Colonial Dresses limited.

There is no further arrangement to these records.

Fonds consists of the professional and personal records of D'Arcy Martin. Fonds includes correspondence, memos, minutes, reports, posters, photographs, publications and presentations created and used by D'Arcy Martin in his role as an adult educator, trainer, labour arts supporter, social activist and an education co-coordinator for various unions. The records document Martin's activities in the numerous workshops, seminars and strategic planning sessions that he conducted on such topics as education, unions, training and worker-management relations for a variety of unions and community organizations.

Fonds also includes records that document Martin's writing projects, his consulting contracts and his involvement with various community and political organizations.

Fonds also consists of sound and video recordings of D'Arcy Martin participating in radio interviews and presenting at a variety of conferences. The subjects of these recordings include: Martin's career as a labour activist; the Canadian labour movement in the 1990s; the Communications and Electrical Workers of Canada (CWC); the Labour Council of Metropolitan Toronto; the Canadian Institute; the International Technology Association of Canada (ITAC); and the Stelco steel company.

Fonds also includes Martin's personal records, ranging in date from childhood to student years at the University of Toronto and adulthood. His educational records are from Hillfield College, Trinity College School and University of Toronto for his three university degrees. Personal records also include correspondence with friends and family, and photographs.

Lastly, the fonds consists of posters documenting Martin's direct involvement in a number of labour movements, social causes, and arts festivals in Toronto and abroad. A selection of the posters pertain directly to Better Read, a printing and publishing operation that existed in Toronto in the 1970s and printed socially relevant material to the public education work that Martin was involved with at the time.

Fonds has been arranged and described into 13 series.

For a more detailed description, use this link to the Archives of Ontario's descriptive database: http://ao.minisisinc.com/scripts/mwimain.dll/144/PROV/PROV/REFD+F+2190?SESSIONSEARCH

Collection consists of 6 photographs copied from photographs collected by Edgar Baird relating to Glenwood, Gambo and Bay D'Espoir, Newfoundland.

Collection includes 2 images of the SS Kyle unloading in the ice at Bay D'Espoir, with loggers using teams (mostly oxen), dated Mar. 1939; a photograph of men taking supplies by horse and sled to a logging camp (193-); and a photograph of Gleneagles ( site of a flying boat base), Glenwood.

The collection also includes a photograph of Mi'kmaq woman, Maggie John, Glenwood, posing with baskets in front of her log cabin, and a portrait of Jesse Abbott, logger and riverman of Gambo. Abbott died when releasing a log jam and was swept over the falls.

This fonds consists of copies of archival records and printed works about Loyalists, assembled by Van Wart, probably sometime in the 1930s. There is information about Loyalists in both Ontario and New Brunswick. Some of Van Wart's correspondence is included.

The collection consists of photographs of the ship "Dinamac," the Duffus family home, Thomas McMeekin & Sons business, Skeena River scenes, parades, and planes at Seal Cove.

The papers are arranged into three series, including Hallstead’s research on alcohol consumption in Manitoba; Hallstead’s fiction and non-fiction writing; and correspondence from author Margaret Laurence. The first series includes research and reports on alcohol consumption--and its social cost--from 1955 to 1956. As well as, newspaper clippings and journal articles on alcohol consumption, Manitoba’s liquor laws, and Hallstead’s beliefs on the subject. Also included is his address to the Manitoba Temperance Alliance. The second series contains Hallstead’s fiction and non-fiction writing, which includes poetry, short stories, literary criticism, lecture notes and addresses. This series is largely undated, but the material was likely created from the late 1930s until 1967. The third series contains originals and photocopies of incoming correspondence from author, and former United College student, Margaret Laurence. In her letters to Hallstead, dated from 1961 to 1967, Laurence discussed her writing experiences, the construction of her novels, her family life and separation from her husband. After his death, Laurence continued to write to Anne Hallstead. A letter, from 1984, to Margaret and Walter Swayze, a United College professor, is also included in the collection.