Fonds consists of archival material included as inserts or sent along with the books donated by M. Orbach. Includes: manuscripts and published poems by, and correspondence with, Rienzi Crusz; correspondence (including email) with and poems by many other Canadian poets such as Henri Beissel, Anne Cimon, Ralph Gustavson, David Helwig, Susan Ioannou, Irving Layton, Seymour Mayne and Sharon H. Nelson; interviews by M. Orbach with Sharon H. Nelson and Artie Gold; broadsides by Mavis Jones, John Newlove, Jay Rugesky, Fred Wah and Dale Zieroth; publishers' press releases; reading notices; bookmarks and book wraps; poem cards; and miscellaneous items removed from books.

Fonds consists of correspondence; notebooks; manuscripts of poems, poetry collections, novels, essay collections, articles, book reviews, essays, conference papers, interviews and prose from rob mclennan's blog; editing and publishing files; material relating to Factory (West) Reading Series; articles, interviews, reviews and other material about r. mclennan; works by others; and miscellaneous materials of interest collected by r. mclennan.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of Sharon Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of: correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills, programmes and reviews; works about S. Pollock including biographical material, interviews and newsclippings; and 3 videocassettes of various play productions.

Fonds consists of correspondence with authors, editors, publishers and educators and on various subjects as well as editorial correspondence relating to Biblioasis and Canadian Notes & Queries; notes and various drafts of novels, short stories, prose, essays and memoir; documentation relating to anthologies edited by J. Metcalf and manuscripts and other material relating to J. Metcalf's editorial work for Biblioasis and Porcupine's Quill; notebooks, scrapbooks, photographs and sound recordings including readings and discussions by the Montreal Storyteller Fiction Performance Group; works on J. Metcalf including awards; published works; and works by others.

Fonds consists of the personal and professional records of E.D. Blodgett. The fonds related to the many aspects of his career as a poet, professor, and lecturer. The fonds is arranged into 4 series (1) Professional activities (2) Poetry (3) Reviews and (4) Interviews and music. Includes 45 photographs, 16 negatives, 18 drawings, 8 audio cassettes and 2 audio compact discs.

Fonds consist of correspondence; manuscripts of poetry, short stories, stage plays, articles, columns, young adult fiction and adult non-fiction; audio tapes of interviews; photographs; material relating to readings, workshops, adjudication and other professional activities.

Fonds consists of correspondence; research material; notes; manuscripts of novels, short stories, television plays and screenplays; speeches; lectures; works on R. Wiebe; and material relating to R. Wiebe's editing of short story anthologies. Includes material relating to R. Wiebe's teaching creative writing courses at the University of Alberta and to his involvement with the Writers' Union of Canada and Canada Council, as well as conferences, writers' festivals, committees, workshops, juries and readings. Accession 349/84.16, consisting of Glenbow Foundation manuscript Frank Collicutt and his Willow Springs Herefords, 1957 (photocopy), Accession 350/84.17 consisting of Glenbow Foundation manuscript Claude Gallinger and his Killearn Shorthorns, 1957 (photocopy), and Accession 386/86.08, consisting of Foothills, v. 1, no. 1, April 2, 1985 with article Wiebe: Riel is a legitimate, authentic, mythic hero by Kelly Pitman and 2 audiocassettes with a Riel workshop and a reading by R. Wiebe, filed with Accession 329/83.26 (box 44).

Fonds consists of business and personal correspondence, research material, book manuscripts (most published between 1975 and 1990), appointment diaries, photographs and speeches. Also includes articles on G. MacEwan, book reviews, material honouring G. MacEwan and other miscellaneous material. Accession 891/12.8 includes various media that relate to the personal life of G. MacEwan: 2 photograph albums of 'Pioneer Agricultural Scenes' and 'Canadian Livestock'; 3 diaries kept by G. MacEwan, 1902-1931, 1931-1950, 1958-1966; 3 scrapbooks and 3 files containing research, notes and clippings relating to various issues of interest to MacEwan; the diary of Phyllis Cline, 1932-1953.

Fonds consists of the personal and professional records of Edith Fowke, and reveals the many aspects of her career as a folklorist, writer, collector and educator. Includes manuscripts, radio scripts, correspondence, and articles related to her publishing and research (1938-1996, predominant 1962-1994); sound recordings of folk songs, notes, and correspondence related to her teaching career ([197-], 1982-1986); personal correspondence, scrapbooks, and diary (1882-1996, predominant 1950-1992); manuscripts, sound recordings of folk music, and interviews from her CBC radio programs (1949-1983, predominant 1954-1966); interviews with Edith Fowke or by her (1960-1969, 1983); a series of personal and professional correspondence (1936, 1946-1996); field recordings of folk songs she collected, indexes to these recordings, and other recordings she collected or recorded (1943, 1947?, 1954-1977). Includes photographs and two tape recorders.

Fonds consists of correspondence, art work, and layout and design for Rocky mountain wildlife (Hancock House, 1976). Also includes some correspondence relating to a bird book series published by Hancock House in the 1970s; and scrapbook containing illustrations of several paintings by the artist and reviews and other material relating to books for which S. Im Baumgarten provided the art and design work.