Showing 16 results

Archival description
Only top-level descriptions Morris and Helen Belkin Art Gallery Vancouver English
Print preview View:

Glenn Lewis fonds

  • Fonds
  • 1950 - 2007

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

Lewis, Glenn

Mr. Peanut collection

  • Fonds
  • [197-]

The collection contains materials generated by Vincent Trasov relating to the Mr. Peanut character in general and to the 1974 mayoralty campaign and materials generated by others relating to the same subject. The collection contains predominantly graphic materials in the form of ephemera (cards, placemats, stationary, and the like) as well as objects such as ceramic peanuts and a commemorative plate.

Mr. Peanut

Morris and Helen Belkin Art Gallery fonds

  • Fonds
  • 1935-2000, predominant 1952-2000

The fonds consists of records relating to the history and administration of the Morris and Helen Belkin Art Gallery. These materials include: budgets, correspondence, memorandums, agendas, minutes, pamphlets, booklets, catalogues, list of works, appraisals, newspaper clippings, magazines, reports, terms of reference, renderings, plans, videos, sound recordings, photographs, slides, negatives, proposals, invoices, requisitions, condition reports, application forms, inventory sheets, purchase orders, plaques, donation remittances, handwritten notes, newsletters, artists statements, biographies, curriculum vitae, and invitations. The records are arranged into the following series: 1. History files, 1948-1988; 2. Alvin Balkinds files, 1959-1989; 3. Administration files, 1955-1992; 4. Exhibitions files, 1954-2000; 5. Affiliated organizations files, 1964-1970; 6. Presidents Committee on University Art files, 1923-1989, predominant 1950-1985; 7. New Gallery files, 1949-1994, predominant 1989-1994; 8. Outdoor Sculpture files, 1960-1985.

Morris and Helen Belkin Art Gallery

Rodney Graham fonds

  • Fonds
  • 1987-1997

Fonds consists of two series: Vexation Island series and other projects series.

Graham, Rodney, 1949-

Russell FitzGerald fonds

  • Fonds
  • 1951 - 1978

The fonds consists of records generated by Russell FitzGerald during the course of his adult life and includes journals, sketchbooks, art reproductions and originals, slides and photos.

FitzGerald, Russell

Al Neil collection

  • Collection
  • 1962 - 1994

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).<br>

These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

Neil, Al

Victor Doray fonds

  • Fonds
  • 1967-1996, predominant 1967-1977

Fonds consists of records of two multi media projects created by Victor Doray, Turn Off Delight and Pic a Mix, and records from the Intermedia Society. Includes textual records, audio cassettes, audio reels, photographs (slides, prints and negatives), 8mm film reels, and video cassettes.

Doray, Victor, 1930-

APEC Alert collection

  • Fonds
  • 1997-1998

The collection consists of two files containing APEC Alert posters, newsletters, stickers, and ephemera relating to the groups advocacy of resistance to the APEC agenda. Also includes newsletters and like material from other groups opposed to APEC.

BOO Magazine fonds

  • Fonds
  • 1994-1997

Fonds consists of materials accumulated during the editorial process of putting together Boo. Included are letters to the editor, general correspondence, essays, articles, poems, commentaries, edited works, interviews, invoices, logo design, illustrations, photographs, slides, mailing lists, flyers, brochures, grant guidelines, slides, newspaper clippings, and issues no. 1 to no. 10 of the publication itself. Contributors to the magazine, in addition to the editors, include Gerald Creede, Michelle Normoyle, Brice Canyon, Keith Wallace, Andrew Klobucar, Andrea Fatona, Janis Bowley, Melissa Wolsak, billy little, Arni Haraldsson, Judy Radul, Colin Smith, Susan Schupli, George Stanley, Scott Watson, Janet Lakeman, Dodie Bellamy, Peter Culley, Kevin Killian, Robert Ballantyne, Myfanwy MacLeod, Peter James Hudson, Erin OBrien, Keith Higgins, Geoffry Topham, Peter Cummings, Michael Turner, Naomi Foyle, Andrea Anderson, Jeff Deby, Clint Burnham, Bob Perelman, Dorothy Trujillo Lusk, Kevin Davies, Louis Cabri, Wayne Arsenault, Zainub Verjee, Zhao Tie Hai, Hank Bull, Robin Peck, Lucy Hogg, Wayde Compton, Tim Davis, Sharla Sava, Warren Murfitt, Jacqui Nolte, Gerry Gilbert, Patrik Anderson, Shannon Oksanen, Erin Moure, Sianne Ngai, G.B. Jones, David Bromage, Rob Manery, Miles Champion, Neil Wedman, Gerald Creede, Aaron Shurin, Brian MacNevin, Caroline Bergvall, Kathy Slade, Bruce Andrews, Tim Atkins, Glenn Alteen, Mark Klobucar, Stuart Blackley, Christine Corlett, Mair Dumett, Tom Raworth, Damon Crain, Geoffry Farmer, and Brian Jungen.

BOO Magazine

Eric Metcalfe fonds

  • Fonds
  • 195?-199?, predominant 1968-1976

The fonds consists of textual and graphic materials relating to the development of Metcalfe's art projects and themes, including Leopard Realty and Banal Beauty Inc.; photographs and clippings documenting Metcalfe's works; and materials sent and received through Metcalfe's participation in several Mail Art networks, including Fluxus West, General Idea and Image Bank.

Materials from each of the abovementioned categories are organized into three series, based on content: Art Projects, Correspondence and Collected Materials. The series and subseries contained in this fonds break down as follows:

4.1 Art Projects series
4.1-1 <i>Look at This</i> subseries
4.1-2 <i>Banal Beauty Inc. / Brutopia</i> subseries
4.1-3 <i>Leopard Realty</i> subseries
4.1-4 <i>Howard Hughes</i> subseries
4.1-5 <i>Spots Before Your Eyes</i> subseries
4.1-6 <i>Howard Hughes</i> subseries
4.1-7 Films and videos subseries
4.1-8 Artworks and exhibitions photographs subseries
4.1-9 Artworks and exhibitions documentation subseries
4.2 Correspondence series
4.2-1 Mail art subseries
4.2-2 Mail art compilations subseries
4.2-3 General and business correspondence subseries
4.3 Collected materials series
4.3-1 Western Front subseries
4.3-2 Collected images subseries
4.3-3 Collected publications subseries
4.3-4 Collected ephemera subseries
4.3-5 Bag of marbles subseries

Metcalfe, Eric, 1940-

Results 1 to 10 of 16