The collection consists of letters written by J. M. Barrie to Thomas Lennox Gilmour, mainly concerned with his financial affairs.

The collection consists of Graves' autograph diary (1935-1939), with enclosures including letters from his children, photographs, clippings, and transcripts of poems, articles and letters; correspondence written by Graves to various people, including Isla Cameron, Selwyn Jepson, Aemilia Laracuen, Andrew Mylett, and Raphael Patai; poetry worksheets (1965-1970) and prose and poetry worksheets (1970); manuscripts including essays, reviews, forewords, prefaces, articles, lectures, and for the works "King Jesus", "The Anger of Achilles", "Hebrew Myths: The Book of Genesis", "Greek Gods and Heroes", "An Ancient Castle", "La Luna de los Perros", and "Juvenalia and Other Poems"; photographs; and drawings of Majorca by Paul Hogarth. The collection is arranged in lots as its various parts were acquired not as a single purchase but from different book dealers at different times. The collection also consists of a copy of a letter from Robert Graves to UBC chemist Lionel Harrison with sample pages from the poetry book it refers to. The collection also consists of a portrait of RG by John Ulbricht done in 1968.

The collection consists of manuscripts and typescripts of The Group; manuscripts of poems; a manuscript of Hobsbaum's doctoral dissertation "A Theory of Communication", with holograph corrections by William Empson, Professor of English at Sheffield University; and letters to Hobsbaum from Empson relating to the supervision of Hobsbaum's doctoral thesis. The Group manuscripts are by Taner Baybars, Martin Bell, Alan Brownjohn, Julian Cooper, Anne Dyke, Christopher Hampton, Arthur Jacobs, Rosemary Joseph, Owen Leeming, Christopher Levenson, Edward Lucie-Smith, George MacBeth, Robin McLaren, Adrian Mitchell, Margaret Owen, Michael Pickering, Peter Porter, George Raphael, and Peter Redgrove.

The collection consists mostly of correspondence from Russell about his social and literary activities. The vast majority of this correspondence is to William K. Magee. There are a few letters to Charles Weekes, Robert Graves, and Miss Buxton. In addition, there is a letter from AE's son Diarmuid Russell to Magee re Magee's proposed biography of AE and a photocopy of a letter (transcript) to Judge Richard Campbell from Dudley Digges re Campbell's broadcast "Farewell to AE". Other materials include a few clippings about AE (obit etc.) and an undated b/w photo of AE.

The collection consists of two framed portraits of Walt Whitman donated by Charles E. Feinberg. 1) Print from original wood engraving by W.J. Linton, 1875. 9 X 13.5 cm. Framed. 2) Frontispiece portrait, 1860, printed from copper engraving. Painting by Charles Hine. 10 X 11 cm. Framed.

The collection consists of correspondence including: letters and postcards to Alfred Perlès, letters and postcards to Graham Ackroyd, letters to Father Brocard Sewell, and miscellaneous letters to and from publishers and others. Also included are watercolours, sketches, and photographs plus typescripts, with holograph corrections, for "Max", "Quiet Days in Clichy", Miller's preface to "Hollywood Hallucination" by Parker Tyler, "This Is My Answer", and "Just Wild About Harry".

The collection consists of holograph corrections and typescript of "Love's Labor, an eclogue" and a typescript of "The General's Return From One Place To Another".

The collection consists of a typed, signed letter to Colin Huggett (concerning Golding's “Free Fall”) together with its envelope. Also included is a handwritten letter to Colin Huggett (about Golding's three novellas, “Envoy Extraordinary”, “The Scorpion God”, and “Clank Clank”) together with its envelope.

The collection consists of a corrected manuscript draft and a corrected typescript first draft of the prose essay from “Little Prayers and Finite Experience”. Also included is a dealer's cover sheet.

The collection consists of correspondence with publishers Michael Horovitz (New Departures) and John Martin (Black Sparrow Press); holograph manuscript fragments consisting of "I Suspend My Wait" (1955) and "This Is The Cave Of The Void Of Our Senses" from "Dark Brown"(1961), plus a copy of "Dark Brown" with an enclosed hls to Robert Hawley (1966); and a corrected typescript of an application for a Guggenheim Foundation Fellowship, 1967.