The fonds consists of photographs and textual records from various members of the Nemetz family, including the Dayson family, the Barnett family, and the Fader family.

The fonds is arranged into four series: Nathan Nemetz scrapbooks and photograph albums (photocopies); Textual records; Photographs; Audio/Visual.

Fonds consists of notes, manuscripts, drafts, awards, degrees, pamphlets, correspondence, notes, note-cards, scripts, programs, pamphlets, posters, forms, degrees, cards, certificates, and photographs.

The fonds consists of records created and maintained by the Society. Records include newsletters, financial statements and grant applications, correspondence, minutes, reports, membership lists, the constitution and by-laws of the Society, and records from the Spring Seminars including applications and scholarship information.

The collection consists of videotapes of ballet performances, seminars, interviews, and public forums.

The fonds consists of photographs depicting Vancouver panoramas, streets, sports, harbour, ships, buildings and businesses.

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

The collection contains materials generated by Vincent Trasov relating to the Mr. Peanut character in general and to the 1974 mayoralty campaign and materials generated by others relating to the same subject. The collection contains predominantly graphic materials in the form of ephemera (cards, placemats, stationary, and the like) as well as objects such as ceramic peanuts and a commemorative plate.

The records within the Letia Richardson’s Charles H. Scott research fonds are comprised of Charles H. Scott’s primary and secondary source records she acquired in order to complete a book. The fonds is comprised of sketchbooks, notebooks, short stories, correspondence, newspaper clippings, exhibition and art gallery catalogues, and graphic records related to Charles H. Scott’s work. The fonds also consists of research and notes from Letia Richardson related to the writing of the book about Charles H. Scott. Moreover, the fonds is comprised of textual and photographic records from the Glasgow School of Art and the Vancouver School of Art; two institutions where Charles H. Scott either attended or helped found throughout his lifetime.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.