The fonds reflects the development of Harrison's career as a painter following 28 years as a teacher, and consists of the following series: Harrison Family and Personal; Accounting; Teaching; Art Works; Production; Harrison Appearances; Publishing; Projects; Galleries; Photography; and Miscellaneous Objects.

The fonds consists of the records of David H. Flaherty created throughout his professional and private life. They include project research files relating to his work with Canadian and international privacy issues during his time at the University of Western Ontario from 1972 to 1987; teaching and lecture files on early American history, and American and Canadian legal and constitutional history from his time at Princeton, the University of Virginia and the University of Western Ontario from 1963 to 1991; and his personal files including diaries, correspondence, photographs and subject files from 1949 to 2005, including those from his time as the Information and Privacy Commissioner of British Columbia. Within each series, the files are arranged roughly by date. The personal files have been divided by Flaherty into open and restricted files.

The fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations.

The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice.

Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods.

The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.

Fonds consists of UBC course notes, written and organized by Ronald Seal for classes that he taught at UBC in Industrial Arts Teacher Training. Interspersed with these materials are Seal’s personal notes from his teacher training at the Normal School in Victoria in the 1930s.

This collection consists of posters and notices created primarily by University of Victoria Students' Society (Alma Mater Society) clubs and University of Victoria academic departments for the purposes of advertising meetings, events and courses, and to raise awareness about social, political and university issues.

Series consists of five sub-series: A. Renovation planning, [ca.1965]-1983; B. Restoration and renovation, 1989-2000; C. Restoration 125 Millennium Project, 1994-2003; D. Projects and campaigns, 2001-2008; E. Photographs of buildings and grounds, [after 1990 and before 2005].

Restoration and renovation sub-series consists of architectural plans and building photographs for Cridge Memorial Hall and the Church of Our Lord, Church of Our Lord Feasability Study records and report, 1992-1994, Restoration & Renovation Committee records, 1993-2000, and other records. The Restoration 125 Millennium Project sub-series consists of administrative and legal records, fundraising and financial records, Community Ministry Campaign files, architectural records, site plans, and project photographs. Includes architectural plans by Martin Golder, Architect, and engineers’ working plans used on site. Projects and campaigns sub-series pertains to church buildings and to Humboldt Valley development.

The fonds consists primarily of photographic prints, negatives and contact sheets of historic buildings and properties - preparatory material for Franklin’s co-authored publications on Victoria’s architecture. The fonds is arranged in four series: photographs - Victoria: A History in Architecture, 1843-1929; photographs - Exploring Victoria’s Architecture; architectural drawing - East School elevation (Lord Strathcona School), Vancouver, BC, 1897; and publications and printed matter.

This fonds documents the activities of the Victoria Limners Society from 1972-2008 and includes correspondence, meeting minutes, financial records and society filings. It also contains records related to various group exhibits, including the Limners’ 25th anniversary exhibition in 1996, as well as records related to a book and video produced about the group. A small number of newspaper clippings, exhibition pamphlets, various editions of a booklet on the Limners Society artists and black and white photographs showing Limner members at exhibitions and meetings can be found in this fonds. This fonds has been arranged into into six series: 1) letters; 2) minutes; 3) financial records; 4) society filings; 5) 25th anniversary exhibition; and 6) publications and graphic materials.

The fonds consists of records documenting the Society’s planning and presentation of its annual concert series and of its workshops, the latter presented from 1985 to 1994. It has been arranged into three series: Administration; Concerts, Events and Artistic files; and Fundraising and
Development.

The fonds consists of minutes, a small pamphlet collection, the booklet <i>Rape</i>, several copies of a lesbian newsletter, <i>Rag</i>, and miscellaneous material.