The fonds consists of an album of postcards written to Maria while she lived in Quebec and Calgary, from friends and family in Quebec, the United States and western Canada.

The fonds consists of legal, land and business records of Giovanni's career in Calgary.

The collection consists of family histories and photographs of sleighs, threshing, homesteads in Spruceview, Dickson and Markerville areas, and the Heinsen family.

The fonds consists of research files on the history of the Jewish community in western Canada; and records of his involvement in Jewish organizations.

The fonds consists of Presidents' Books which include minutes, newsletters and records of the group's activities (1951-1963) compiled by these women: Martha Cohen, Miriam Dvorkin, Clarice Chodak, Rose Rosen, Muriel Konetz, and Ruth Carnat. The fonds also consists of general records of the Calgary section; proceedings of NCJW Biennial Conferences (1957-1963), including one organized and held in Calgary in 1963; and various newsletters, circulars and manuals issued to local sections by the national body.

The fonds includes records created or collected by Yvonne Hébert, documenting her academic activities, commitments and interests. Also included are some personal and family records.

The fonds consists of personal papers of Mike Wendelboe and Mary Wendelboe, including their certificates and correspondence; Mary's genealogical and fictional writings; family memorabilia; genealogical articles written by Clara Sparks; and photographs of the Wendelboe family, the farm at Barons, Starline, and various Sparks, Lund, Sears, Forster and Slaymaker relatives.

The fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.

The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).

The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.

The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.

The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.

The fonds consists of family photos and personal records of Marie-Claire Lorieau, including a scrapbook, an autobiography and press clippings related to Henri Garnier, and the marriage certificate of her grandfather, Alcibiade Lamoureaux, dating from 1883.<br>
Also included is a recorded radio coverage of the 25 years of Edmonton Opera, with interviews including Lucien Lorieau, and a booklet about the first years of the Edmonton Opera.

The fonds consists of the manuscript of "Seventy Years of Growing with Canada" (368 p. with name index), a letter from an editor from Pyerson Press, dated 1938, and a photocopy of an article on Zephirin Malhiot. The manuscript is the autobiography of Mr. Malhiot, from his childhood spent on his parents' farm in Becancour, where he learned French traditions, up to 1927. His memories cover both the technical and the political aspects of building railways and energy stations in Canada at the end of 19th and the beginning of the 20th century.