This collection comprises documents received in response to an Access to Information request addressed to Indian and Northern Affairs Canada (INAC) by the Corporation of the Town of Deseronto, Ontario, in 2008. The request asked for copies of documentation submitted as part of the Culbertson Tract land claim of the Mohawks of the Bay of Quinte and upon which the decision to allow the claim had been based.

The documents in this collection are all photocopies of materials located in public archives in Canada. The materials range in date from 1779 to 1959 and record the interactions between the Mohawks of the Bay of Quinte and the British and Canadian governments, in relation to lands, from the time of their departure from the Mohawk Valley to the mid-twentieth century.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The fonds consists of coloured slides of Prince Rupert and the surrounding area including the airport in 1959, Oval Bay, 800 2nd Ave. West, Salt Lakes,
Skeena River, CNR Dock Fire, fishing boats, Metlakatla, a tombstone from Port Essington, Fred & Montana Dowdie, Ksan, Kitwanga and the BC Ferry.

Collection consists of photographs of people and scenery of the Sackville, New Brunswick, area, including: the bridge over the Tantramar River; Marshlands Inn; The Old Marine Hospital; Indian woman in native dress; Indian man in native dress; photograph inscribed, "The home of R.B. Bennett's Grandfather, Captain David Stiles, at Hopewell Hill, N.B. Here his grandmother came as a bride of seventeen, and here Lord Bennett was born." scenes of the Copper Mine, Dorchester, New Brunswick; James M. Palmer, individual photograph. Five of the photographs were taken by R.H. Smith, Sackville.

The collection includes material relating to Alert Bay that was created or collected by Thomas and Mildred Laurie, as well as photographs and textual records created or received by James Barclay Williams, who bequeathed the records to Mildred Laurie. The collection includes a photo album, photographs, postcards, correspondence, newspaper clippings, pamphlets, and a calendar. Photographs document Alert Bay and the surrounding area, including the B.C. Packers store, Christ Church, the native cemetery, St. Michael’s Residential School and Preventorium, Canada Packers, Hardy Bay, totem poles, a long house, and the Nimpkish Hotel. Photographs also document local events, including potlatches, weddings, an outdoor salmon barbeque, BC centenary celebrations in 1958, native ceremonies, and a visit by the Governor General.

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

The collection consists of interviews with Rosie Ayoungman, Mrs. Richard Brass, Little Chief, Paul Wolf Collar, Joe Cat Face, Mary Many Guns, Ben Calf Robe, Amos Leather, Cyril Olds, Jack Kipp, and One Gun about the Blackfoot language, legends, tobacco dance, snake lodge, owl lodge, tipi designs, coyote songs, crazy dog ceremonies, Crowfoot and Treaty 7 signing, and other subjects, with some translations by Emily Duckchief (1950s-1973); interview with Hugh Dann about Buffalo Child Long Lance; Blackfoot music (including commentaries) recorded at Crowfoot Residential School, Cluny (1956-1957); Blackfoot songs recorded by the A-1 Club, Cluny; and photographs of a Blackfoot sun dance (1965?), and pupils at Old Sun school (1956).

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

The collection consists of postcards depicting First Nations from Western Canada.