This document is a photocopy of the renewed treaty and contains the text of the 1725 treaty with additional ratifications and signatures. Several of the native delegates have signed with totems.

This fonds consists of archaeological plans of prehistoric campsites on the Saint John River between Woodstock and the Tobique and notes on his archaeological research. There is a ornithological notebook of birdsongs heard in Woodstock in the spring migration of 1934-1937. There are also press clippings and a letter from Chief William Saulis of the Tobique reservation, concerning Adney's work on native peoples, and a biographical article from "Time" magazine, 1944.

The fonds consists of photographs and textual records regarding the history of Tsimshian bands on the North Coast. The photographs and text panels were used for a display. There are also photographs from an album of a parade in Prince Rupert in 1961, children outside of homes, totem poles, and a building in Kitwanga. The photographs came from an album that was in the possession of Harold Ryan and were accessed after he passed away.

The fonds consists of photographs, slides, negatives, maps, and textual records created and gathered by Gladys Young Blyth. These contain local scenes such as lighthouses, totem poles, Seafest activities, fish boats, crab traps, North Pacific Cannery, Kwinitsa Station, and the seaplane base at Seal Cove. The maps and sketches are of Kitselas, Port Essington, Union Passage and Tuwartz Inlet, Otter Passage to Bonilla Island, Work Channel, and a copy of the plan of the Kit-Kah-Tla Indian Reserves Coast District, 1891-1892. Her reference notes refer to the Hudson's Bay Company, First Nations, Grand Trunk Pacific Railway, the pictograph at Tyee, and the net building industry.

The fonds consists of information correlated by the Archeology Branch of B.C. concerning sites along the Shuswap River from Mabel Lake to Ashton Creek. Includes one letter, photocopies of 5 maps, 8 pages describing individual archaeological sites, and 2 pages describing the Borden system of site identification.

The fonds includes house chronicles (some in summary form), correspondence, pastoral work at the Alaska Native Medical Center. Rural Ministry reports, guest books, newspaper articles, write-ups and memorabilia about the centennial of the Sisters of St. Ann in Alaska (1886-1986), reference, and subject files.

The fonds consists of textual records of Edward Ned Bolton. It includes business correspondence (1951-52); invoices for the Essington Fish Camp and Cassiar Packing Company Ltd. (1949-1966); a provincial act, agenda, correspondence, minutes, and annual reports for the Provincial Advisory on Indian Affairs in British Columbia (1942-1969); a receipt book for H. Brew, Haysport (1957), and miscellaneous documents (1966-1980) including an assessment notice (1969), salmon price negotiations list (1980), and letterhead for Port Essington Special Reserve, Native Brotherhood of B.C. bearing Edward's name, and the Indian Inquiry Committee.

The fonds reflects the development of Harrison's career as a painter following 28 years as a teacher, and consists of the following series: Harrison Family and Personal; Accounting; Teaching; Art Works; Production; Harrison Appearances; Publishing; Projects; Galleries; Photography; and Miscellaneous Objects.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Fonds reflects Carter’s photographic work in several British Columbia First Nations communities ca. 1950-1979. Records consist of transparencies, negatives, prints, and slides.