Showing 6 results

Archival description
University of British Columbia Museum of Anthropology Archives Collection Arts and culture
Print preview View:

Ben William Leeson collection

  • Collection
  • Copied ca. 1972 (originally created ca. 1914)

The fonds consists of 16 photographic prints, some of which are hand-coloured, stamped “B.W. Leeson Quatsino, B.C.”, labelled on the front or back with explanatory information, or signed in ink. One print of a longhouse is stamped “The Leeson Collection Copyright 1914.” The photographic subject matter relates to British Columbia’s Kwakiutl First Nations and the British Columbia landscape. Also included is a copy of Susan Roper's Portraits of the Indians of Quatsino by Benjamin W. Leeson, produced by the Research Project on Early B.C. Photography at the Vancouver Public Library around 1972, and 23 duplicate slides which accompany it.

Edward Sheriff Curtis collection

  • Collection
  • Copied [ca. 197-?] (originally created 1897-1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

Gordon Miller collection

  • Collection
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

Harlan Smith collection

  • Collection
  • Printed 1999 (originally created 1919-1925)

Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.

Henry Delmonese collection

  • Collection
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Joan Goodall collection

  • Collection
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.