Fonds consists of files relating to Larry Zolf's activities as journalist and writer and to his career with the Canadian Broadcasting Corporation. The fonds includes personal and professional correspondence, drafts of television programs, magazine articles, dramatic works and reviews, notebooks, research files, diaries and financial records. It also includes draft manuscripts, research material, and correspondence related to his books "Dance of the dialectic," "Just watch me : remembering Pierre Trudeau," "Scorpions for sale," "Zolf," and "The Dialectical dancer," as well as for his online column, "Inside Zolf."

Fonds consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition catalogues, mailings and financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, teaching files for his history of design course, design books and magazines.

The fonds consists of manuscript and typescript drafts of Eliza Clark's work, personal and professional correspondence, copies of articles by or about Clark and other material that documents her career as a writer.It has been arranged into the following series: Fonds is comprised of the following series: S00207 Correspondence and subject files S00208 Writing files

The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

The fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and Burn'.