Affichage de 1358 résultats

Description archivistique
Fonds Arts Anglais
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Vance Rodewalt fonds

  • CA GLEN glen-3699
  • Fonds
  • 1984-2015, predominant 1994-2015

The fonds consists of editorial cartoons, most of which appeared in the Calgary Herald. The cartoons poke fun at the joys and frustrations of being Calgarian, and also depict Calgary's unique views on Canadian and world affairs. General topics include politics, religion, health care, hockey and weather. More controversial topics include gun control, tasers, abortion, the war in Afghanistan, and smoking. Many cartoons relate to Quebec separatism. The fonds also consists of his comic strips, Chubb and Chauncey and The Byrds.

Sans titre

Calgary Women's Literary Club fonds

  • CA GLEN glen-496
  • Fonds
  • 1906-2014

The fonds consists of minutes, correspondence, resumes of papers, programs, financial documents, newsclippings, memberships and photographs.
Records related to the following subjects are also in this fonds. See inventory for details: Calgary Business and Professional Women's Club, Calgary Junior Chamber of Commerce, Calgary Public Library, Central Park Memorial Library, Aileen Fish, Ernest C. Manning, Nellie McClung (one of the Famous Five [Famous 5]), Georgina Thomson, and Rose Wilkinson.

Sans titre

Ina Dennekamp fonds

  • CA pfla INA
  • Fonds
  • 1841-2014, predominant 1980 - 1995

Fonds consists of the records created and compiled by Ina Dennekamp in connection with her work on the history of Canadian women composers. The bulk of the material was assembled between 1988 and 1992 either as part of a Canada Council Explorations Grant project entitled The History of Canadian Women Composers or as part of her weekly radio program Women of Note. Additional materials may relate to her role in the founding and administration of the BC Chapter of the Association of Canadian Women Composers (ACWC) and Women in Music (WIM). The fonds includes correspondence, notes, periodicals and other publications, course materials, interviews (transcripts and sound recordings), performance recordings, broadcast recordings, a collection of scores and sheet music, and a collection of commercial recordings.

Sans titre

Museum of Contemporary Art (Calgary) fonds

  • CA GLEN glen-3830
  • Fonds
  • 1986-2013

The fonds consists of exhibition files, videotapes, photographs, and other records related to the art holdings and activities of MOCA and its predecessors.

Sans titre

Kensington Sinfonia fonds

  • CA GLEN glen-3875
  • Fonds
  • 1988-2013

The fonds consists of minutes, correspondence, financial records, and other material.

Sans titre

rob mclennan fonds.

  • CA SPEC spec-2550
  • Fonds
  • 1989-2012.

Fonds consists of correspondence; notebooks; manuscripts of poems, poetry collections, novels, essay collections, articles, book reviews, essays, conference papers, interviews and prose from rob mclennan's blog; editing and publishing files; material relating to Factory (West) Reading Series; articles, interviews, reviews and other material about r. mclennan; works by others; and miscellaneous materials of interest collected by r. mclennan.

Sans titre

Music Coterie fonds

  • CA GLEN glen-1718
  • Fonds
  • 1955-1988, 2001-2012

The fonds consists of constitution, minutes, publicity and membership correspondence, programs, scrapbooks, and a recording of member's performances. Includes a biography of the first honorary member, Gladys Flint McLennan.

Sans titre

Sharon Pollock fonds

  • CA SPEC spec-2209
  • Fonds
  • [ca. 1965]-2011.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of Sharon Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of: correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills, programmes and reviews; works about S. Pollock including biographical material, interviews and newsclippings; and 3 videocassettes of various play productions.

Sans titre

John Metcalf fonds

  • CA SPEC spec-2507
  • Fonds
  • [196-]-2011.

Fonds consists of correspondence with authors, editors, publishers and educators and on various subjects as well as editorial correspondence relating to Biblioasis and Canadian Notes & Queries; notes and various drafts of novels, short stories, prose, essays and memoir; documentation relating to anthologies edited by J. Metcalf and manuscripts and other material relating to J. Metcalf's editorial work for Biblioasis and Porcupine's Quill; notebooks, scrapbooks, photographs and sound recordings including readings and discussions by the Montreal Storyteller Fiction Performance Group; works on J. Metcalf including awards; published works; and works by others.

Sans titre

Association of Canadian Women Composers fonds

  • CA pfla ACWC
  • Fonds
  • 1980-2011

Fonds consists of records generated by the Association of Canadian Women Composers (ACWC), including the Association’s formation and its subsequent activities. The bulk of the records concern the administration of the Association itself and address issues related to governance, financial management, and member recruitment. Other records concern the Association’s public activities, including sponsorship of concerts featuring works by Canadian women composers and other public initiatives intended to increase awareness of and provide support for Canadian women composers. Records include correspondence, financial records, minutes, publications, press releases, media clippings, membership records and other material.

Sans titre

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