Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Fonds contains manuscripts and typescripts (print and electronic), drafts, page proofs, illustrations, digital photographs, and published copies of the novels, scripts, and short stories written by Donna Morrissey. It also contains e-mail and printed correspondence, press material and book reviews, and resource material from a workshop.

Fonds consists of records pertaining primarily to the professional activities of Elisabeth Mann Borgese, focusing on major organizations and projects with which she was affiliated from the beginning of her North American career in the 1940s. The collection includes correspondence, publications and drafts, administrative records, conference materials, sound and video recordings, research materials, photographs, and other materials.

Fonds consists of a draft typescript of Baird's "Doctor Archibald MacMechan: An Estimate and an Appreciation," commissioned by The Halifax Chronicle for their 1923 New Year's edition and withdrawn at Archibald MacMechan's request. Also present are three letters from MacMechan concerning the article and a later letter from Stanley MacKenzie regarding an essay by Baird rejected by The Dalhousie Review.

Fonds comprises correspondence regarding Burpee's geneological research into his uncle, James De Mille, research notes and secondary materials about De Mille, and two manuscripts by Burpee on De Mille.

File consists of one handwritten manuscript of the unpublished novel Lucy Cameron and a transcription completed by Pilar Cuder.

Fonds contains both original records and reproductions of materials related to Reverend Thomas McCulloch, including one glass plate of an etching of McCulloch, a hand-written paper concerning vegetation in the Minas Basin, shorthand notes, a ticket for McCulloch’s moral philosophy course at Dalhousie College, microfilmed copies of three books by McCulloch, a Dalhousie thesis discussing McCulloch and the Nova Scotia educational system, and correspondence with Sam Cunard, Lord Dalhousie, the University of Edinburgh, and the Wernerian Natural History Society.

Fonds consists of newsletters and poetry publications from 1971-1979. Most of the publications feature poetry written by Velma Brown, but a number of other authors are also featured, including Sidney M. Parker, known as the blind poet of Truro, Nova Scotia.